When I visited Asmara in April 2003, the building was surrounded by a blue temporary fence and covered in scaffolding. I was initially disappointed since this is one of Asmara’s most famous buildings and the one I most wanted to see.
Denison, Yu Ren & Gebremedhin report in their wonderful book Asmara: Africa's Secret Modernist City that the architect Pettazzi had to include pillars propping up the wings as some people did not believe the structural soundness of the structure. The pillars were made of wood when the building was opened it is alleged that Pettazzi put a gun to the builder's head to force him to remove the pillars. The wings held and we have this wonderful structure.
The lettering on top of the tower is Tigrinya local Eritrean languages. I love the shapes of the lettering but I have no clue what it says.
The workers were a bit surprised to see us but posed for a photo. They thought we were mad to have travelled all the way from Australia to see a bunch of buildings. I’m not sure they aren’t correct but we established a bit of a rapport and they shouted a hasty warning if they were about to pour a fresh batch of concrete on us.
After we had reluctantly come back down to earth both physically and metaphorically I noticed a man sitting at the window of a nearby building looking down at us laughing. I signalled could we come up to his office and take some pictures. He glanced around nervously before nodding. As I’ve said, we didn’t need much encouragement and quickly counted off the floors and headed for the lifts.
Sometimes I do think we were mad to go to Asmara but only for a split second because it was one of the best experiences of my life. The buildings were fabulous. The people were charming. The sun shone everyday we were there and you could get a pizza, a cappuccino or a beer on just about every corner.
Reference:
Asmara: Africa's Secret Modernist City
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